The Fairmount Choir of Fairmount Presbyterian Church in Cleveland Heights will present the Ohio premiere of the short work Requiem by Joshua Clausen on Nov. 17 at 10 a.m. The work was written to honor the victims of American mass shootings and their families and friends. The piece was inspired by the work of Sophie Cho, a journalist who took data about mass shootings and turned it into sound form to illustrate gun violence in America. What resulted was a recorded data sonification (series of piano notes) where each piano note represents the day of an American mass shooting, from January 2013 to November 2017. The louder the note, the more people were killed on that particular day.
A & E News
The Western Reserve Chorale's (WRC) first concert of the 2019–20 season, featuring Respighi’s rarely performed masterpiece Lauda per la Natività del Signore, will take place on Sunday, Dec. 8, at 3 p.m., at Church of the Gesu (2470 Miramar Blvd., University Heights).
This year’s holiday season concert, featuring the 100-voice chorale, will offer a variety of works highlighting the winter season, including traditional and not-so-traditional arrangements of songs for Hanukah and Christmas by Gustav Holst, David Willcocks, Susan LaBarr, John Rutter, Dan Forrest, Stephen Schwartz, David Chase and others.
Northern Ohio was an epicenter of electric rail in the early 20th century. Cleveland had one of the largest streetcar networks in the country, and was a key national center of streetcar innovation and manufacturing. Ohio once boasted the largest inter-urban electric rail system in the Midwest, connecting cities and small towns across the state.
What happened to those elegant systems? Was it a mistake to abandon them? What does history teach us about sustainable transportation choices?
Cleveland Heights filmmaker Brad Masi addresses these questions in his film "Streetcar City," which will have a free screening at the Bottlehouse Brewery & Meadery (2050 Lee Road) on Tuesday, Nov. 12, at 7 p.m.
Holiday season is here, and Heights Arts celebrates with the opening of the 2019 Holiday Store. From Nov. 1 through Dec. 30, 100 local artists will fill the Heights Arts gallery with unique fine arts and crafts. The public opening is Friday, Nov. 1 from 6:30 to 9 p.m., with a members' special preview that evening from 5 to 6:30 p.m. Get a jump on holiday shopping with refreshments and other special treats. The 2019 Holiday Store is open seven days a week, except for Thanksgiving and Christmas days.
Heights Arts offers community partner events in the Holiday Store and throughout the year. Memberships start at $50 for individuals and $150 for businesses, and members are eligible to participate in community partner events for free. Heights Arts will promote the partnership, invite the partner to co-host the event, and provide a cash bar and complimentary food for attendees. In addition, Heights Arts’ 10-percent membership discount will be extended to partner attendees. Attendees who are already Heights Arts members will receive an additional 5-percent discount for purchases that evening. For more information, visit www.heightsarts.org/community-partner-events
October marks the opening of the 2019–20 Close Encounters chamber music concert series. Now in its 14th season, Close Encounters celebrates Heights Arts’ 20th anniversary with four unique afternoons of chamber music performed by some of the world’s finest musicians—who just happen to live here in the Cleveland area.
The first concert, to be hosted at a historic carriage house in Herrick Mews, will take place on Sunday, Oct. 13, at 3 p.m.
Performing is the Omni Quartet, who will present Robert Schumann’s String quartet in A-minor, written during a brief and singular period of happiness in his otherwise melancholy life. Musicians in the Omni Quartet are also members of the Cleveland Orchestra.
The second concert in the series will take place at Dunham Tavern on Sunday, Nov. 24, with subsequent concerts planned for March 1 and May 3.
Ohio’s poet laureate, Dave Lucas, will read his work at the eighth annual “Afternoon with an Author,” hosted by the Cleveland Heights Chapter Q of Philanthropic Educational Organization (PEO) International. The poetry reading will be followed by a Q&A session, a book signing and a dessert reception on Saturday, Nov. 2, 2 p.m., at Forest Hill Presbyterian Church (3031 Monticello Blvd.). Tickets are $20.
Lucas’ first book of poems, Weather, received the 2012 Ohioana Book Award for Poetry. Pulitzer Prize-winning poet Rita Dove named him one of 13 “young poets to watch.” Lucas has also received a Discovery/The Nation Prize and a Cleveland Arts Prize. In 2018, he was appointed the second Poet Laureate of the State of Ohio. He lives in Cleveland Heights, and teaches at Case Western Reserve University.
Past speakers at the event have included other area writers, including award-winning novelists Mary Doria Russell and D.M. Pulley, and mystery writer Annie Hogsett.
Katie Mongoven is the latest artist to have her work featured at The Fairmount, as part of its emerging artist exhibition program. The exhibition features Morgoven’s fiber series, Periodic, and will be on view until Nov. 28.
Mongoven, who lives and works in Cleveland Heights, is known for her use of vibrant color and attention to detail—bringing unique patterns into focus.
She began the Periodic series at the Vermont Studio Center last winter, as an exploration of embroidery and a denaturing of its established purpose as a decorative embellishment. Each piece bonds the intangible qualities of light and color with texture, pulling inspiration from traditional quilt-making, geometry and pattern-making.
Dobama Theatre continues its 60th Anniversary season with "Wakey, Wakey" by Will Eno. The play runs Oct. 18 through Nov. 10.
The New York Times called the play "profoundly moving,” and Variety described it as "a work of humor, humanity and grace that makes you want to hug your lover, your neighbor and maybe an usher on the way out.” This new play from Pulitzer Prize-nominee Will Eno ("The Realistic Joneses," "Middletown," "Thom Pain") features a guy named Guy who knows, like all of us on some level, that he is about to die. Guy engages the audience in a conversation about life and what is worth celebrating, what is worth treasuring, and what is worth letting go in this moving and hilarious play.
Thoughtfully crafted programs inspired by the current social climate are at the heart of Burning River Baroque’s eighth season, which focuses on unconventional 17th-century women and perceptions of mental health. Known for its their socially motivated programming and dynamic interpretations of early modern music, the group will bring “A Mad, Burning Desire” to Blank Canvas CLE on Oct. 19.
The performers will also engage the audience with dialogues about the myriad ways the perception of mental illness in the early modern period is directly related to the stigma surrounding mental health in contemporary times. The program will further challenge audience members to consider the ways in which we might address the mental health crises many are facing today.
This season marks the 50th anniversary of the University Heights Symphonic Band (UHSB), an all-volunteer wind ensemble sponsored by the city of University Heights.
This year the band is pleased to inaugurate its first year-round concert season, presenting concerts in Kulas Auditorium at John Carroll University (JCU) on Oct. 20, Dec. 5 and March 8. Additionally, the band will present a series of holiday and summer concerts around Greater Cleveland.
The band is under the leadership of Musical and Artistic Director Matthew Salvaggio, who also serves as music director of the Euclid Symphony Orchestra.
It’s the most watched film in the history of the Cedar Lee Theatre. It’s not an award-winner, and it’s not “The Rocky Horror Picture Show.” Created by a director who’s a native of Cleveland Heights, it premiered in July 2014 and has been running daily ever since. By my back-of-the-envelope calculations, it’s played more than 40,000 times.
It’s the policy trailer that plays before every feature film. You know, the 55-second short that tells you to keep your feet off the seats, find the nearest exit, and turn off that cell phone! Locally produced for Cleveland Cinemas, it features local people, unlike most of its generic counterparts you see in national theater chains.
If you’re the rare Heights resident who hasn’t seen a film at the Cedar Lee in the past five years, here’s a recap (or, view it here: https://tinyurl.com/cedarleetrailer): The trailer starts with a couple buying tickets which shoot out animated confetti in joyful anticipation of the fun to come. The couple head to their seats, blocked by two rude dudes with their feet up. A subtitle tells you not to do that, and the dudes drop their feet.
Heights Arts kicks off the fall exhibition season with Untouched: The Digital Paradox, opening Friday, Aug. 30, 6–9 p.m. Matthew Hollern, professor and chair of jewelry and metals at the Cleveland Institute of Art, is the guest curator for the show, which explores the evolving role of technology in the creation of art.
“Sometimes the digital history of an object is apparent,” said Hollern. “At other times the role of technology is there but it’s invisible. Sometimes a work seems like digital trickery but it is actually not. Digital work can really challenge assumptions.”
Artists in the show are George Kozmon, Barry Underwood, // Benitez_Vogl (Margarita Benitez and Markus Vogl), Janice Lessman-Moss, Marcus Brathwaite, Tony Ingrisano, Yasniel Valdes, and Matthew Hollern. The exhibit is on view through Oct. 13.
The Nicholson B. White Gallery at St. Paul’s Church invites the public to an artists’ reception on Friday, Sept. 6, 5–7, p.m., to view work by photographer Thomas Abel, painters Patricia Ingram and Jerome T. White, and textile artist Martha Young.
Abel took the photographs in the 1950s and '70s in France, mostly in Paris, using the distinctively rich Kodachrome color film. He studied and worked in France for part of his life, and became fascinated with the architecture. His images capture a time gone by in one of the most beautiful cities in the world. Abel worked for more than 30 years in Cleveland as an architectural photographer and photographic artist. While in France, he met his wife, who shared his love of art and architecture. With the encouragement and assistance of his family, the White Gallery is thrilled to show Abel's work.
Thoughtfully crafted programs inspired by the current social climate are once again at the heart of Burning River Baroque’s upcoming season, which will shed light on unconventional 17th-century women and issues surrounding mental health. The group, known for both socially motivated programming and dynamic interpretations, will open its eighth season with a performance of A Mad, Burning Desire on Aug. 22 in Cleveland Heights.
The program highlights the extraordinary accomplishments of the first English actresses who gained the legal right to take the public stage in the early 1660s. Many of them capitalized on early modern society’s fascination with mental illness and catapulted themselves to fame by portraying characters who descended violently into lovesick madness on the Restoration stage. English philosophers and medical experts alike began to think of psychological maladies as medical conditions requiring treatment by doctors rather than as spiritual deficiencies to be handled by religious authorities over the course of the 17th century.
The public is invited to attend a band lineup announcement event for the seventh annual Heights Music Hop 7–9 p.m. on Aug. 16 at the BottleHouse Brewery and Meadery, 2050 Lee Road. At the event, organizers will announce the acts for this year’s free live-music festival.
The three-day weekend of more than 60 musical performances will take place Sept. 12-14 in more than 28 venues across three business districts in Cleveland Heights. The event offers a variety of musical genres, such as classical, rock, rap, country, reggae, bluegrass and American roots.
Heights Music Hop began in 2013. Jeff Coryell, a former FutureHeights board member, believed that Cleveland Heights had the artists, musicians, resources, and public interest to warrant organizing a large-scale music festival. Other individuals, business owners, and partner organizations quickly joined the mix–including fellow board member Greg Bonanno. Although he has been stationed more than 7,000 miles away for the last several years, Bonanno is still an ardent supporter.
Cleveland Heights Mayor Carol Roe and Ensemble Theatre Executive Artistic Director Celeste Cosentino traveled to Washington, D.C., in mid-July to attend the inaugural Local Leaders’ Institute on Creative Placemaking. They were among six teams, each comprising a local arts leader and a government official, representing small, medium and rural communities that were selected to participate from among 148 applicants.
Cosentino spearheaded an effort last year to apply for a National Endowment for the Arts (NEA) Our Town grant for the Coventry P.E.A.C.E. Campus project. Though she did not receive a grant, she was invited to apply for the workshop.
“I learned so much about how integral arts and culture are to community cohesion and how there are courageous ways to think outside of the box to solve civic issues,” said Cosentino about her experience at the institute.
Cleveland Heights photographer Michael Weil first began to think about making nighttime photographs in Lake View Cemetery almost 10 years ago.
“Lake View was part of my growing up,” said Weil. “As a child I would go with my father to visit the gravesite of his parents. Even as a child it struck me as not the typical cemetery where you’d hold your breath as you drove past.”
That early connection has developed into a two-part photographic presentation, Moonlight in the Gates: 150 Years of Lake View Cemetery in a New Reflective Light which will be on view in a special installation throughout the cemetery from July 22, 2019, through October 2020. Meanwhile, prints from the series also will be on view at Weil’s Foothill Galleries in Cleveland Heights, July 23 through Aug. 31.
Caleb A. Wright and his band, Alexander Wright & The Collective, will perform a free concert at Forest Hill Church in Cleveland Heights on Sunday, July 7, at 6:30 p.m.
Wright, a vocalist and entertainer, is a member of the Cleveland Heights-based Wright Family Singers, who have been performing in the Cleveland area for more than 40 years.
Wright has been performing on his own, locally and nationally, for the past five years. He is a member of multiple groups and choirs, including the Wright Family Singers, Elégie, the Voices of Koinonia, the Cleveland Orchestra Chorus, and the Cleveland Opera Circle.
After a national search, Dobama Theatre’s Board of Directors unanimously selected Trevor Wise to be the theater’s new managing director.
“As we approach our 60th year, the Dobama board is very excited to welcome Trevor to Cleveland as our new managing director,” said Board President Marcel Duhamel. “Trevor brings skills and experiences that will help lead Dobama into a new decade of growth.”
“I am thrilled that Trevor will be joining Dobama to help lead the theatre at this exciting moment in the theatre’s history,” said Artistic Director Nathan Motta.
June 27 through July 14, Dobama Theatre presents the world premiere of “33⅓,” a new musical about coming of age and coming out.
Matthew Wright is the director of Dobama’s production, which will feature choreography by Holly Handman-Lopez and music direction by Matthew Dolan.
The book, music and lyrics are by Jay Turvey and Paul Sportelli, co-writers of eight musicals.
The seventh annual Heights Music Hop festival will take place Sept. 12-14, in three Cleveland Heights districts: Sept.12 in Coventry Village, Sept. 13 in Cedar Fairmount, and Sept. 14 in Cedar Lee.
Heights Music Hop showcases local live musical talent, performing in local businesses and unique locations to promote the Heights as home to the arts, while also helping to support the local economy and celebrate the community’s diversity, walkability and great quality of life.
The 2019 festival will showcase new musical talent from all genres, including jazz, rock, R&B, classical, rap, indie, Americana and folk.
Net proceeds of the June 14–16 performances of “Living on the Moon,” a one-woman play written and performed by Molly McFadden, will benefit memory care programs managed by Benjamin Rose Institute and its affiliates. The performances take will take place at Ensemble Theatre, 2843 Washington Blvd., in Cleveland Heights.
The one-act play explores the bittersweet journey McFadden shared with her mother, after her mother’s diagnosis of Alzheimer’s disease in the 1980s. Drawing on a lifetime of producing, acting and singing professionally, McFadden’s play brings meaning and light to her late mother’s story.
Locally renowned pianist Vince Robinson will accompany McFadden during performances of the show, directed by Christina Courtenay.
The Cain Park ticket office opens to Cleveland Heights residents on Saturday, June 1, 9 a.m. to 5 p.m., for the sale of tickets to the 2019 season from a specially held block of seats. The ticket office will open to the general public on Tuesday, June 4, noon to 9 p.m.
Residents need to bring a photo ID and two proofs of current residency (e.g., mail, utility bill, current CH Rec ID) to register with staff outside the main ticket office. After registering, each resident will get a number that represents his or her place in the ticket-buying queue. Or, residents can fill out a ticket-order form and leave it with staff to be filled at the end of the day, if seats are still available.
Western Reserve Chorale (WRC) will present the final concert of its season at 3:30 p.m., Sunday, June 2, at Church of the Gesu (2470 Miramar Blvd, University Heights).
The concert, "Sonic Sunrise," will be the final one with accompanist Joanne Poderis at the keyboard. Poderis, a founding member and longtime executive director of WRC, is stepping down from her roles with the Chorale. WRC invites all to celebrate Poderis' artistry and the conclusion of its 27th season.
The concert will feature Ola Gjielo’s Sunrise Mass as well as a celebration of the 125th anniversary of the birth of E.E. Cummings.
Dobama Theatre was honored with a regional award by the Actors’ Equity Association (AEA) for making non-traditional casting a priority all season long, and providing ongoing opportunities for underrepresented artists.
The theatre received the Kathryn V. Lamkey Award at the annual “Spirit, a Celebration of Diversity” event in Chicago’s Shakespeare Theater on March 11. Named after a former AEA Central Regional Director, the “Kathy” recognizes Dobama’s current 2018/2019 season, which features only women playwrights, including Dominique Morisseau, Annie Baker, Karen Zacarías, Alice Birch, Jennifer Haley and Melissa James Gibson.
Past winners of the award include Damron Russel Armstrong, founder the Black Repertory Theatre of Kansas City; Ellen Alberding, president of the Joyce Foundation; Ron Himes, the founder and producing director of the St. Louis Black Repertory Theater; Barbara Gaines, founder and artistic director of Chicago Shakespeare Theater; and the Court Theatre.
Karen Sandstrom is the next featured artist in the Heights Arts Spotlight Gallery, in a show opening May 10. Sandstrom’s recent body of work, “Such Agreeable Friends,” pays homage to George Eliot’s quote, which observes the personified virtues of the kinship animals offer. Sandstrom’s work in this show combines handwritten text and illustrated imagery in an article-style composition. Mentions of local weather, animals, seasonal fruits and trees, etc., construct a life that is familiar to any number of suburban Cleveland residents. The mellow exterior and visually flowing scrawl of the lettering sits in contrast to the sharper, snarkier voice of the text. Focusing a humorous and honest lens on a calmer, softer approach to dissecting the everyday, Sandstrom’s pieces do not aim to critique or to settle for paying homage. They heighten an awareness of the existence of these pleasantly simple and small moments that would otherwise be overlooked. Come to the opening reception on May 10, 6 to 9 p.m., to see how the narrator works in conjunction with an intertwining collage of tenderly rendered watercolor pieces, and converse with the artist herself.
A new documentary film, "Iyengar: The Man, Yoga, and the Student’s Journey," will be screened at the Cedar Lee Theatre on Wednesday, June 5, at 7:30 p.m.
Directed by award-winning filmmaker Jake Clennell, the film looks at the life and teachings of B.K.S. Iyengar, considered instrumental in popularizing yoga around the world. An Official Selection of the Vancouver International Film Festival, the film was made with the support and cooperation of B.K.S. Iyengar and the Iyengar family, the Iyengar Yoga National Association of the United States, and students and supporters worldwide.
On Saturday, April 13, Ensemble Theatre in Cleveland Heights will host a benefit gala to celebrate 40 years of providing Northeast Ohio with professional theater.
The gala fundraiser will include live music, select preview performances from the upcoming season, silent auction items, and food from local sponsors, including The Fairmont, Nighttown, Luna Bakery and Café, The Stone Oven, and Poison Berry Bakery.
Founded in 1979 by Lucia Colombi, Ensemble Theatre was started in the spirit of producing American classic plays, including those of Eugene O’Neill, of whom Colombi was particularly fond. Among its many award-winning productions over the years was the “Panorama of African-American Theatre” series, which was filmed by PBS, syndicated nationally and chosen for the network’s “First View Award” as one of the top 25 educational programs in the country.
Celeste Cosentino, Colombi’s daughter, took over as executive artistic director after Lucia’s passing in 2009. The theater has been a huge part of her life for the past 40 years. “I was born in October of ’78 and Ensemble was created in the summer of ’79, so we are both 40 this year,” Cosentino said.
On Sunday, April 14, at 3 p.m., the University Heights Symphonic Band will perform a concert in the Dolan Science Center Atrium at John Carroll University (1 John Carroll Blvd., University Heights).
The event is open to the public, with a $5 suggested donation at the door, and ample free parking is available next to the venue.
Dobama Theatre will wrap up its 2018–19 mainstage season with the regional premiere of “This” by Melissa James Gibson, running April 26 through May 26.
Directed by Nathan Motta, Dobama’s artistic director, “This” is a smart, witty, un-romantic comedy that captures the uncertain steps of a circle of friends who are backing their way into middle age. Jane is a promising poet without a muse and a single mother without lessons to pass along. With her dating life in shambles, she goes to a friend’s dinner party where she’s set up with a handsome French doctor. But after the meal and a few glasses of wine, a party game goes wrong and everything in her life becomes more complicated.
Opening Friday, April 26, at Heights Arts gallery, 2175 Lee Road, is the third iteration of the well-received exhibition Emergent, which shines a light on artists who have recently graduated from area colleges and universities.
First presented in 2015, Emergent celebrates the strength of the Northeast Ohio region as a training ground for the great artists of tomorrow. Numerous artists who appeared in previous Emergent exhibitions at Heights Arts are now well into established careers as working artists in the Cleveland area and elsewhere, including Jerry Birchfield, Abbey Blake, Robert Coby, Amber Ford, Matthew Gallagher, David Masters, Nathan Prebonic, and Rachel Shelton.
For Emergent 2019, the Heights Arts exhibition community team selected 11 artists who create in a variety of media, from institutions that include the Cleveland Institute of Art, Kent State University, the University of Akron, and Oberlin College. The artists are Emily Brannan, Davon Brantly, Kimberly Chapman, Kylie Demkowicz, Sydney Givens, Alyson Hollobaugh, Danielle Muzina, Alex Overbeck, Noelle Richard, Jeni Stovicek, and Yskandar.
Burning River Baroque continues its seventh season with a series of thought-provoking performances, beginning Tuesday, March 19. The Other Side of the Story: Untold Perspectives on Familiar Tales has been crafted to connect baroque music to contemporary social issues.
The March performances engage audiences around the timeless issues of toxic masculinity and consent. Historic passages and tales have been interwoven with a broad range of musical compositions and related commentary. “We frequently get to experience history through the victor’s eyes,” said co-director Malina Rauschenfels. “We’re interested in hearing the other side of the story—from those populations that are often marginalized.”
A montage of images and words, Greg Donley’s works—uniquely sized at 6 inches tall by 6 to 10 feet wide—seem to wrap the viewer within. Explaining the intentionality of the size, Donley said, “You can’t really take in the detail all at once. You have to move yourself past it, much as you have to move yourself through a landscape.”
“What I have tried to do with these photographs,” said Donley, “is explore the ways in which people experience places, and how they remember those experiences later.
An exhibition of Donley’s latest series of works, Annotated Grandeur: New photomontages by G.M. Donley, will open at Foothill Galleries (2450 Fairmount Blvd., Suite M291) on Wednesday, March 13, with a reception 6–8 p.m. The show will run through the end of April.
During its 150th anniversary year, Park Synagogue is celebrating the art and architecture of Park Synagogue Main in Cleveland Heights, designed by the world-renowned architect, Eric Mendelsohn.
On Sunday, March 10, the community is invited to a free program at, and about, this iconic space, located at 3300 Mayfield Road, in Cleveland Heights.
In “Park 150: Celebrating the Art & Architecture of Park Synagogue,” Samantha Baskind, professor of art history at Cleveland State University, will highlight many of the significant works of art in the exceptional collection that hangs in the building.
Guest curator Julianne Edberg invited her friends to have some serious fun with the group exhibition Sideways Thinking, on view at Heights Arts March 8 through April 21. Artists Leslye Discont Arian, Catherine Butler, Julianne Edberg, Laurie Garrett, Jenny Mendes and Melissa O’Grady focus on playing—the less serious side of art.
“It may look like fun, but it's all the artist can do!” Edberg explained. “When we play, we let loose the inspired part of our mind to think sideways instead of logically. Ideas flow more freely. Questions may be raised. Is this an alternate, more fantastic world we are looking at? It is definitely a more fun, more magical place. Perhaps less polished, less formal. A childlike viewpoint sparks a connection between hitherto unconnected frames of reference. Playing calms the nerves and provides a new way of looking at things.”
Both a twisting criminal drama and a haunting sci-fi thriller, “The Nether,” by Jennifer Haley, explores the consequences of living out our most shocking urges in the age of virtual reality. Dobama Theatre’s production of the play, directed by Shannon Sindelar, will run March 8–31.
In her play, Haley creates a possible future in which The Nether is a virtual wonderland that provides total sensory immersion. Participants log in, choose an identity, and indulge their every desire. But when a young detective uncovers a disturbing brand of entertainment, she triggers an interrogation into the darkest corners of the imagination.
The New York Times called the play “a parable for where we’re headed.”
March 8–31, Cleveland Heights’ Ensemble Theatre will stage another timeless Eugene O’Neill play, “A Moon for the Misbegotten,” directed by Ian Wolfgang Hinz.
A sequel to “Long Day’s Journey into Night,” the play continues O'Neill's exploration into themes of deceit—both of others and within oneself—and the ever presence of death.
After Ensemble’s recent productions of O’Neill’s “Long Day’s Journey . . .” and “The Iceman Cometh,” Hinz felt it was time to bring “A Moon for the Misbegotten” to Ensemble’s stage.
“It’s one of O’Neill’s last three plays,” Hinz said, “and those are his more famous works. He’s America’s greatest playwright, and the time was right to bring this one to light.”
There may be other examples of a teacher and student sharing a concert stage, but rarely are both held in such high regard. In this instance, the Western Reserve Chorale (WRC) will share the work of Franz Joseph Haydn (the teacher) and Ludwig van Beethoven (the student) as part of the Silver Hall Concert Series at the Milton and Tamar Maltz Performing Arts Center on March 24.
The chorale will present Haydn’s St. Nicholas Mass with Beethoven’s Mass in C Major. Both works represent the legacy of music commissioned by Prince Nicolaus Esterhazy II for performance in Eisenstadt, Austria. The St. Nicholas Mass is not on the same scale as Haydn’s late masses (it is about half the length of the Nelson Mass) but it is nevertheless quintessential Haydn in its energy, its tunefulness and, above all, its infectious joy.
On Feb. 10, the baroque ensemble Apollo's Fire won the Grammy Award for Best Classical Solo Vocal Album for "Songs of Orpheus." The ensemble, under the artistic direction of Jeanette Sorrell, shares the award with tenor Karim Sulayman, the album's solo vocalist.
"Songs of Orpheus" uses the work of 17th-century Italian composers Monteverdi, Caccini, Landi and d'India to retell the story of Orpheus' journey to the underworld to recue his wife, Eurydice. Along with providing the instrumentation for these vocal pieces, the ensemble also performed sonatas by Castello and Cima on the recording.
Apollo's Fire has produced over 20 albums in its 27-year history thus far. This is its first Grammy
Sorrell expressed surprise about winning the award, noting, "The other nominees in our category had quite a bit of PR-power behind them, in addition to being compelling recordings. We were the new kid on the block in that world."
This year’s celebration of Black History Month at Forest Hill Church—An Evening of Wonder—will honor the music of Motown legend Stevie Wonder on Sunday, Feb. 10. Preceded by a community soul food dinner at 5:30 p.m., the musical performances will begin at 7 p.m.
The community meal and concert are free and open to the public.
The church’s Black History Month committee chose to celebrate Wonder in recognition of his phenomenal musical career and the significant contributions his music has made in elevating the position of black musicians throughout society, as well as the lasting impact of his songbook on modern American history. The evening will highlight many of Wonder’s most memorable and socially impactful songs over the past 50 years.
Art, poetry and music warm Heights Arts this February. Valentine’s Day weekend starts with a free artist talk and poetry event followed the next day by a music performance, both in the nonprofit's gallery on Lee Road.
On Thursday, Feb. 14., at 7 p.m., Heights Arts offers a free artist talk and poetry event focusing on the work of the artists participating in the current exhibition, VIEW-points. The series of gallery talks, Ekphrastacy: Artists Talk + Poets Respond, offers an opportunity for exhibition artists to share insights on their work.
"Ekphrasis" means that one form of art is used to describe a completely different form of art in order to illuminate an idea or help an audience understand the spirit of the work. The Poetry Foundation defines ekphrastic poem as “a vivid description of a scene or, more commonly, a work of art. Through the imaginative act of narrating and reflecting on the 'action' of a painting or sculpture, the poet may amplify and expand its meaning.”
The new-music ensemble No Exit will perform at Heights Arts, 2175 Lee Road, on Friday, Feb. 15 at 7 p.m. In recent years, No Exit has appeared frequently at the gallery, so it can be easy to forget that two decades ago, neither organization existed at all.
In 1999, participants in a Cleveland Heights civic visioning process identified the potential of the arts to positively impact the community. Soon after, the nonprofit Heights Arts was formed by a group of residents intent on tapping that resource. Two decades later, strategic collaborations, such as the one between Heights Arts and the No Exit, have enhanced the regional arts scene and invigorated the community.
Ensemble Theatre, in its 39th season, is poised to deliver an array of theater options in the coming months. The American classic "A Raisin in the Sun" runs through Feb. 17, and Ensemble will next bring Eugene O'Neill's "A Moon for the Misbegotten" to its Cleveland Heights theater in March. Directed by Ian Wolfgang Hinz, "Moon" follows the events of O'Neill's seminal "A Long Day's Journey into Night."
In addition to its stated mission of bringing "contemporary American classics" to the stage, Ensemble has also been at the forefront of Cleveland's new play development scene with the 2009 establishment of StageWrights, a weekly open-door workshop at which playwrights of all levels of experience meet and read new work.
Over the course of the past decade, StageWrights has provided Ensemble with new plays from Cleveland playwrights, including Cynthia Dettlebach, Rannigan Walsh, Barbara Harkness, Ed Walsh and Tom Frattare.
The 2019 Cain Park Arts Festival, July 12–14, is accepting online artist applications through www.zapplication.org. The application deadline is March 1.
Now in it’s 42nd year, this juried fine arts and crafts event features the work of artists from across the country, working in painting, photography, prints, jewelry, ceramics, glass, leather, sculpture, wood, and other materials.
This all-ages and family-friendly festival will be open Friday, July 12, 3–8 p.m.; Saturday, July 13, 10 a.m. to 8 p.m.; and Sunday, July 14, noon to 5 p.m.).
Dobama Theatre continues its season with the Cleveland premiere of "Revolt. She Said. Revolt Again."—a theatrical manifesto for the #MeToo era. Written by Alice Birch, and directed by Sarah Elizabeth Wansley, the play runs through Feb. 17.
A wildly experimental and inventive grouping of vignettes, “Revolt” asks how to revolutionize language, relationships, work and life while bursting at the seams of conformity. An ensemble of four powerful women and one token male bring this unapologetically provocative, in-your-face text to life—with humor, strength, and a punk-rock attitude that refuses to behave.
“Revolt” was commissioned in 2014 as part of a series for the Royal Shakespeare Company. The series, Midsummer Mischief, highlighted the creativity of four female playwrights, Timberlake Wertenbaker, E.V. Crowe, Alice Birch and Abi Zakarian, who all worked from the same prompt: “Well-behaved women seldom make history.”
Heights Youth Theatre (HYT) continues its "Celebration of Tolerance, Transformation, and Acceptance" with its production of "Little Shop of Horrors," at Heights Middle School (the former Wiley Middle School) auditorium in University Heights.
The show, directed by Cleveland Heights resident Eugene Sumlin, with music direction by Stacy Bolton, includes 60 actors in grades 1–12 from Cleveland Heights, University Heights, Shaker Heights and surrounding communities. Join them as they make their way through downtown Skid Row with Seymour, Audrey, and one very strange plant!
“HYT'S production of 'Little Shop of Horrors' is sure to be a highlight of the season," Bolton said. "With this strong a cast, it's hard to believe these are school-aged students on stage.”
After directing both parts of “Angels in America” last season, Ensemble Executive Artistic Director Celeste Cosentino again takes on an American classic, bringing Lorraine Hansberry’s “A Raisin in the Sun” to the Cleveland Heights theater (2843 Washington Blvd.), Jan. 25 through Feb. 17.
“A Raisin in the Sun” was the first play by an African-American woman to appear on Broadway (1959). The award-winning play is about an African-American family facing racism while trying to find a better life.
Heights Arts is exploring the concept of mapping in the group exhibition VIEW-points, curated by Helen Liggett and Sharon Grossman. "This exhibition is based on questions of what mapping is and how maps mediate between viewers and the world," Liggett said. The exhibition, which runs Jan. 18 through March 3, will show viewers different perspectives of locations both close to home and distant from everyday life.
The show features artists G.M. Donley, Michael Loderstedt, Wendy Partridge, Sai Sinbondit and Rebeckah Wilhelm. They use a variety of media, from photography and prints to locally sourced pigments made from plants, coffee and dirt.
"Mapping is a way to make sense of things by directing attention,” Liggett explained. "This terrain blurs the distinctions between art and science, diagrams and cartoons, play and politics. The artists and viewers participating in VIEW-points explore, provoke and reflect on mapping as orientation rather than destination."
The Nicholson B. White Gallery invites the public to the Friday, Nov. 30 (5–7 p.m.) opening of its Winter Show, featuring four local artists. The show will be on view through Feb. 24.
On exhibit will be creations of cut-paper collage by Maggy Brown; art glass objects by Jerry Keller; landscape paintings by Jamie Morse; and prints, including a variety of landscapes, by Jane Petschek.
The mood of this group exhibition is upbeat, as the artists share their passions and provide a sense of time and place in their work. Show visitors will see a variety of subjects depicted in the work, including horses, dogs, coastal landscapes, beach scenes, guitars and other musical instruments.
As part of its 39th season, Ensemble Theatre is co-producing Shahrazad Theatre’s adaptation of Jules Verne’s Around the World in 80 Days. Directed by Shahrazad co-founder August Scarpelli, the play will be a world-premiere production, running Nov. 30 through Dec. 16 in Ensemble’s PlayGround Theater (2843 Washington Blvd.).
The story follows the adventures of Phileas Fogg and his newly employed French valet, Passepartout, as they attempt to travel around the globe in 80 days.
“I consider Jules Verne to have been a very lucky man,” Scarpelli said, “because the natural curiosity and sense of adventure that we are all born with was something that he held close to his heart for his entire life, and there is little that is more important than that, especially today.”
What began in 2002 as a tiny pop-up shop with a few local artists has blossomed into the 17th annual Heights Arts Holiday Store, featuring creations by 100 Northeast Ohio visual artists and artisans, writers and musicians.
“In addition to Cleveland darlings—including William Brouillard, APEmade, and Benita Cullinan—we welcome more than 20 artists who are new to the Holiday Store this year. Heights Arts is excited about adding more artists working in the graphic arts, jewelry and painting,” noted Genevieve Schwartz, program manager for the nonprofit arts organization. Visitors will also find handmade cards and ornaments, photography, handknits and printed tees, artisan items for the home and littlest family members, plus local music CDs and chapbooks by Cleveland poets.
On Nov. 10, 7–10 p.m., John Carroll University's (JCU) Student Union will host its first-ever art gala and silent auction in a collaborative effort to raise money for US Together, a refugee foundation with an office in Cleveland Heights.
The gala, which has as its theme “Art has no language barrier,” will showcase student and faculty talent while bringing together communities throughout JCU and University Heights. The art will be auctioned off and all proceeds will go to US Together.
There will also be raffle baskets, free food and drinks, and music. In addition, clients of US Together will be selling their handmade jewelry at the gala, to support their own business.
While admission is free, donations at the door will be appreciated. Starting bids for the art pieces will range from $25 to $50.
The work of two Cleveland Heights residents, Sarah Curry and David King, will be part of the Ohio Arts Council's (OAC) Art Educators as Artists exhibition.
The show will be on view at the Riffe Gallery in Columbus, Nov. 1 through Jan. 5.
As a state agency, OAC is dedicated to supporting and expanding Ohio’s artistic community. The organization has provided funding for Heights organizations and events, including FutureHeights' 2018 Heights Music Hop.
John Steinbeck's masterpiece "East of Eden" is making its Ohio stage premiere at Ensemble Theatre in Cleveland Heights. Shows continue through Nov. 11.
Adapted by Chicago theater legend Frank Galati and directed by Ensemble artist and board member Ian Wolfgang Hinz, the epic play tells the story of the attempts of the Trask family to set roots in Salinas Valley, Calif.
“’East of Eden’ is widely accepted as John Steinbeck's greatest work, and American classics have always been a part of Ensemble's core mission. With past productions like ‘The Great Gatsby’ and now ‘East of Eden,’ we have been able to build a bridge to classic literature through theatrical adaptations,” Hinz said.
Dobama Theatre celebrates the holiday season with a regional premiere of "Ella Enchanted." This family-friendly musical, adapted from the best-selling novel by Gail Carson Levine, is directed by Nathan Motta and will run from Nov. 30 through Dec. 30.
Dobama is thrilled to be partnering with Robin VanLear, community arts director at the Cleveland Museum of Art, to create puppets for the production.
With music, puppets, adventure, and plenty of girl power, "Ella Enchanted" is a modern Cinderella story. Ella is given the "gift" of obedience as an infant by a misguided fairy and cannot disobey any order. The strong-willed Ella goes on a quest to rid herself of this so-called gift.
What does it take to become the state’s poet laureate? In Ohio, one might say, “It takes one to know one.”
When Dave Lucas, who lives in Cleveland Heights, met Ohio’s first poet laureate, Amit Masmudar of Columbus, they discovered that they shared many similarities. With Masmudar’s encouragement, Lucas expressed his interest in the position to the Ohio Arts Council, and was granted an interview.
He was asked to submit samples of his work and to write a proposal for furthering the mission of the poet laureate position, which is to encourage literacy and learning. Now, almost halfway into his two-year term, Lucas’s proposal will carry him across the state to cities, suburbs, rural towns and college campuses—wherever people gather to share the love of words in the form of poetry.
With the Cleveland Orchestra and Cleveland Institute of Music (CIM) down the hill, Cleveland Heights is blessed with a strong musical tradition. Living room concerts and chamber settings abound with a frequency unparalleled in most American cities.
Among these settings has emerged an ironically trend-setting ensemble that uses baroque music to underscore present-day social issues—juxtaposing past and present—with powerful performances, salient commentary, and links to relevant nonprofits that address injustice. Heights-based Burning River Baroque was founded in 2012 with the goal of “bringing the drama, passion and vitality of Baroque music to life for contemporary audiences." The ensemble’s work has been well-received in our musically rich community. St. Alban's Episcopal Church has become its unofficial home, hosting several concerts a year since the ensemble's launch.
Molly McFadden will perform “Living on the Moon,” an original one-woman show, at a one-night benefit for Ensemble Theatre. The performance will take place Saturday, Oct. 27, 6 p.m., at Ensemble Theatre, 2843 Washington Blvd. A $20 donation is suggested; proceeds will help enable the theatre to continue to provide productions, classes and workshops.
In “Living on the Moon,” McFadden explores her own journey and her relationship with her mother, who was diagnosed with Alzheimer’s. The show is a unique mixture of storytelling, original music, known standards and puppetry. It examines many facets of human life, helping the audience discover its rich complexities and its rituals and sorrows.
McFadden, a Heights resident for two years, participates in the Stagewrites group at Ensemble.
Dobama Theatre continues its 2018–19 Mainstage Season with "John," an intimate and elusive ghost story, running Oct. 19 through Nov. 11.
Written by Annie Baker, the Pulitzer Prize-winning playwright of "The Flick," the play centers on Elias and Jenny, a young couple struggling to stay together, who stop at a bed-and-breakfast in Gettysburg, Pa. During their visit they encounter a cheerful innkeeper, her blind friend, and an eerie world crammed with toys, figurines and one very odd American Girl doll. This mystic puzzle of a play is full of surprises, both human and supernatural.
Dobama’s production features legendary Cleveland actor Dorothy Silver, in her first collaboration with Dobama Artistic Director Nathan Motta in the director’s chair.
Octavofest, an annual celebration of book and paper arts, is 10 years old this month, and it's bigger and better than ever. This year’s theme is “Books and Paper in Global Context,” and will feature lectures, workshops, demonstrations, exhibitions, museum tours, and hands-on experiences. Many of these events will take place in or near the Heights.
The festival’s keynote presenter is James Canary, conservator at Indiana University’s Lilly Library and an internationally respected specialist in Asian book forms. He has worked with the International Tibetan Archive Preservation Project in Lhasa, which provided equipment and training in document conservation for an archive containing around 3 million documents.